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![25 fps ⁄ 2021 + tote bag](https://eng.inktrapbooks.com/wp-content/uploads/2021/09/IMGP1594_21.png)
17th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2021](https://eng.inktrapbooks.com/wp-content/uploads/2021/09/IMGP1594.png)
17th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2020 + tote bag](https://eng.inktrapbooks.com/wp-content/uploads/2020/09/IMGP1595_2.png)
16th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2020](https://eng.inktrapbooks.com/wp-content/uploads/2020/09/IMGP1595.png)
16th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2019 + tote bag](https://eng.inktrapbooks.com/wp-content/uploads/2019/09/IMGP1596_2.png)
15th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2019](https://eng.inktrapbooks.com/wp-content/uploads/2019/09/IMGP1596.png)
15th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2018 + tote bag](https://eng.inktrapbooks.com/wp-content/uploads/2018/09/IMGP1597_2.png)
14th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2018](https://eng.inktrapbooks.com/wp-content/uploads/2018/09/IMGP1597.png)
14th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2017 + tote bag](https://eng.inktrapbooks.com/wp-content/uploads/2017/09/IMGP1355_2.png)
13th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2017](https://eng.inktrapbooks.com/wp-content/uploads/2017/09/IMGP1355.png)
13th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2016 + tote bag](https://eng.inktrapbooks.com/wp-content/uploads/2016/09/IMGP1356_2.png)
12th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2016](https://eng.inktrapbooks.com/wp-content/uploads/2016/09/IMGP1356.png)
12th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![Povijest eksperimentalnog filma i videa](https://eng.inktrapbooks.com/wp-content/uploads/2016/03/IMGP1599.png)
In his superbly accepted history of experimental film, A. L. Rees tracks the movement of the film's avant-garde movement between film and modern art ⁄with postmodern code⁄.
![25 fps ⁄ 2015 + tote bag](https://eng.inktrapbooks.com/wp-content/uploads/2015/09/IMGP1358_2.png)
11th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2015](https://eng.inktrapbooks.com/wp-content/uploads/2015/09/IMGP1358.png)
11th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2014](https://eng.inktrapbooks.com/wp-content/uploads/2014/09/IMGP1360.png)
10th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![Vizualna glazba](https://eng.inktrapbooks.com/wp-content/uploads/2014/05/IMGP1600.png)
This complex art form, which goes hand in hand with the history of film and the development of technology, is in search of visual forms of music.
![25 fps ⁄ 2013 + tote bag](https://eng.inktrapbooks.com/wp-content/uploads/2013/09/IMGP1362_2.png)
9th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2013](https://eng.inktrapbooks.com/wp-content/uploads/2013/09/IMGP1362.png)
9th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![25 fps ⁄ 2012](https://eng.inktrapbooks.com/wp-content/uploads/2012/09/IMGP1366.png)
8th festival catalogue edition. 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language, and broaden the notion of film as art.
![Prošireni film](https://eng.inktrapbooks.com/wp-content/uploads/2009/09/IMGP1367.png)
The extended film now represents a new art form, a new medium and a new branch of art where a generation of younger artists re—actualizes the ideas of the movement.
![Austrijska filmska avangarda](https://eng.inktrapbooks.com/wp-content/uploads/2008/09/IMGP1370.png)
Austria first and foremost gave the film arts the second, less visible, parallel history of film with a large avant—garde and experimental omen.
![Kad animacija susreće žive](https://eng.inktrapbooks.com/wp-content/uploads/2007/09/IMGP1373.png)
Thanks to digital settings, various computer software and compositing tools, it is possible to make a film in which the viewer can no longer recognize the true nature of images.
![25 fps ⁄ 2015—2021 ⁄bundle⁄](https://eng.inktrapbooks.com/wp-content/uploads/2002/09/25fps_bundle_1.gif)
7 book + 3 tote bag bundle ⁄ 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language.
![25 fps ⁄ 2012—2014 ⁄bundle⁄](https://eng.inktrapbooks.com/wp-content/uploads/2002/09/25fps_bundle_2.gif)
3 book + 2 tote bag bundle ⁄ 25 FPS Festival screens independent and non—commercial films which innovatively explore the possibilities of cinematic language.
⁄film⁄video books
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