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In his superbly accepted history of experimental film, A. L. Rees tracks the movement of the film's avant-garde movement between film and modern art ⁄with postmodern code⁄.
This complex art form, which goes hand in hand with the history of film and the development of technology, is in search of visual forms of music.
The extended film now represents a new art form, a new medium and a new branch of art where a generation of younger artists re—actualizes the ideas of the movement.
Austria first and foremost gave the film arts the second, less visible, parallel history of film with a large avant—garde and experimental omen.
Thanks to digital settings, various computer software and compositing tools, it is possible to make a film in which the viewer can no longer recognize the true nature of images.
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